Listening as a Life Practice: Claire Chase

The purpose of art is to lay bare the questions that have been hidden by…

Launching Music by Black Composers, Flute Volume 1

During the 2025 NFA Convention in Atlanta, the Special Publications Committee (SPC) celebrated the launch…

The Magic Flute Opera Costumes designed by Dame Zandra Rhodes
Exploring the Magical Flute: Beauty, Enchantment, and Power with Musical Instrument Museum (MIM) Curators Matthew Zeller and Eddie Chia-Hao Hsu

In November 2025, the Musical Instrument Museum (MIM) in Phoenix, Arizona, opened its latest special…

The Mechanical Perfectionist: The Genius and Tragedy of Cornelius Ward

In the grand narrative of the flute’s evolution, the 19th century is often presented as…

Speaking Practically on Historic Flutes with Anne Pustlauk

In October 2025 Oxford University Press published Anne Pustlauk’s The Classical and Early Romantic Flute—A…

Miami Music Project courtesy Jennifer Grim.
Music as an Agent for Social Change

Over the past few months I’ve had the pleasure of spending time at the Miami…

Photo by Yan Krukau.
A Community of Sharing

One of the aspects of the NFA that impresses me most is the open willingness…

Everything is Music

As the articles arrived for this issue over the holidays, I once again spent a…

The Lost Art of Listening: The World as a Score

When was the last time you listened to the shape of a room? Not the…

Finding the Blackbird in Messiaen’s Le Merle Noir

Religion, love, and the importance of nature, especially birds, were driving forces behind Olivier Messiaen’s…

Sitting Down with Instrumentalist/Composer Gary Schocker

The flutist/composer is a long-standing phenomenon. From François Devienne and Franz Doppler to Mike Mower…

The Objective Subjectivity: On Teaching Fundamentals of Musicality to Intermediate Flute Players – Part 2

In the first installment of this series, I focused on the overlooked middle stage of…