A Helping Hand: The National Flute Association’s Scholarship and Mentorship Programs

“I had journalists calling me, and newspapers and TV people. I didn’t know it would…

Beyond the Score: The Spirit of Tango in Piazzolla’s Tango-Études

A century after the birth of Argentine composer and virtuosic bandoneón player Astor Piazzolla, Mariana…

Paganini on the Flute

Why are the 24 Caprices, Op. 1, by Niccolò Paganini (1782–1840), originally for violin, now…

Sigal Museum
Window to the Past: Exploring Two Centuries of Early Flutes Via the Sigal Music Museum

The Sigal Music Museum in Greenville, South Carolina began life as the Carolina Music Museum…

Daniel Cueto
An Introduction to the Music of Daniel Cueto

Composer and flutist Daniel Cueto (b. 1986) is quickly gaining widespread attention for his music…

Welcome to the Improved Flutist Quarterly!

I leave out “new” in that old phrase “new and improved” because this is the…

Graphic Notation for the 21st-Century Flutist

Modern graphic notation is a varied beast, eclectic in manifestation, built on (and conflicting with)…

Why Performance Anxiety Is a Misnomer,* and How Knowing That Can Help You Solve It

*Misnomer: a misapplied or inappropriate name or designation. Many of us have experienced some form…

By Jordan Encarnacao
Supporting First-Generation College Students 

Holistic support for teaching students who are first in their families to attend college Students who…

C.R.E.A.T.E. Competition 2021 Winner Wrap-Up

At the 2021 NFA Virtual National Convention, the C.R.E.A.T.E. competition took place with four outstanding…

The NFA at 50: Celebrating Together

Our Golden Anniversary convention is shaping up to be an extravaganza of epic proportions. Through…

Inspiration

My dear friend and former NFA President, Joanna Bassett, recently lost her father, David Robinson…